William P. and Moya Olsen Lear Family Collection
Contents of the Collection
The William P. and Moya Olsen Lear Family Collection contains textual and photographic materials primarily related to the personal lives of William "Bill" and Moya Olsen Lear as well as John Sigvard "Ole" Olsen, Moya's father, dating from 1911-2013. A small amount of material pertains to extended Lear family members, including the Lear children and Lillian (Clem) Olsen, Moya's mother. The bulk and strength of the collection is personal correspondence that provides insight to Lear family and social life and events. The collection has been divided into three series: Aircraft-related, Correspondence and Ephemera, and Photographs.
The first series, Aircraft-related is fairly small and is the only series within the collection to largely focus on business and career aspects over the personal aspects. The series has been further divided into three sub-series, which are arranged chronologically: Lear Jet, Lear Fan 2100, and General. Materials include advertisements, clippings, correspondence, reports, and photographs. Highlights within the series pertain to the Lear Fan 2100; including a beer barrel testing report, a performance and potential failure report, and materials related to the acquisition and display of a Lear Fan prototype at the Museum of Flight. Another highlight within the series is a 1930 program for the movie Hell's Angels. Additional items related to Bill Lear's aviation career are scattered throughout the second and third series, and are noted on the inventory.
The second series, Correspondence and Ephemera, is by far the largest and is the strength and highlight of the overall collection. It has been further divided into subseries: Moya Olsen Lear, William P. Lear, Lear family, Ole and Lillian Olsen,and General. Materials within each subseries are arranged chronologically with undated materials at the end of each grouping.
The letters shine a light into the personal lives of the Lear family, particularly Bill and Moya Lear as well as her father, vaudevillian Ole Olsen. Many of the letters are deeply personal in nature and reveal views into the relationships between Moya and Bill, Moya and Ole, and Bill and Ole. The documents touch upon health concerns, marriage, divorce, and death amongst the family. While most of the letters do not comment on Bill Lear's aviation career, some letters allude to it, such as through references to the Lear family moving to Switzerland so Bill could work on the SAAC-23. Some letters are more social in nature and discuss trips, friends, and day to day activities. To a far lesser extent, connections to Lillian Olsen, wife of Ole and mother to Moya, and the Lear children are also visible. Also touched upon are current events and connections with notable people of the time, such as references to Hollywood Black Friday, the Moscow Peace Treaty and communications with Barry Goldwater, Carroll D. Kearns, and Richard Nixon. Of note are the materials that pertain to a controversial 1956 flight taken by Bill and Moya Lear into Moscow, including a booklet about the trip, clipping, correspondence, and photographs.
The materials related to Ole Olsen are also a unique highlight and include items related to his vaudevillian and performing career, such as scripts, route itineraries, clippings, and printed ephemera.
Photographs, the final series, includes 418 photographic prints, 56 negatives, and 3 slides. It has not been further divided and is arranged chronologically. Although most photographs are grouped within this series, some photographs are located in other series to maintain original context. Highlights include photographs that depict Olsen on the stage, including in skits with Bill and Moya Lear, and with Vice Presidents Nixon and Wallace. There is also a circa 1900s-1910s school picture of Olsen. Other images depict Bill and Moya Lear with aircraft, aviators, such as Clarence Clabaugh; business and social associates, such as Madame Jehan Sadat and Wee Georgie Woods; and with friends and family at events, such as holidays and birthdays; at home, and on vacation.
Two photograph albums are also present, although the prints have been removed for preservation reasons. Original order was maintained. One album features 57 prints related to "Bulsch parties" hosted and or attended by Bill and Moya Lear during June 1961. It is not known what the term means. These appear to be theme or costume parties and show attendees chatting, drinking, and swimming. The second album was a 1981 birthday gift to Moya Lear from "Joyce." Although it was given in 1981, the prints within date from 1980-1990 and depict birthday parties and attendees as well as a small bit of ephemera.
Dates
- Creation: 1911-2013
Creator
- Lear, Moya Olsen, 1915-2001 (Person)
- Lear, William P. (William Powell), 1902-1978 (Person)
Conditions Governing Access
This collection is open for research and is accessible in the Dahlberg Research Center by appointment. For more information contact us.
Conditions Governing Use
The Museum of Flight (TMOF) Archives is the owner of the physical materials in the archives and makes available reproductions for research, publication, and other uses. Written permission must be obtained from TMOF archives before any publication use. TMOF does not necessarily hold copyright to all of the materials in the collections. In some cases, permission for use may require seeking additional authorization from copyright owners. Consult repository for more details.
Biographical Note: William P. Lear
William P. “Bill” Lear was a prolific inventor with dozens of patents for a variety of machines to his name but is most famous for his work in the aviation field. He produced the Learjet, the first mass-produced business jet, and the Lear Fan, an innovative turboprop plane built from lightweight composite materials. He also helped to develop autopilot and automatic landing systems for jets. But his interests went beyond aviation: he is also known for being the inventor of the 8-track tape cartridge, the car radio, and innovative developments on turbine motors.
Born on June 26, 1902 in Hannibal, Missouri, Bill Lear had a humble background that would belie his later success. His father, Reuben Lear (1878-1955), a teamster and builder, struggled to support his family and had a tumultuous relationship with his wife, Gertrude Elizabeth Powell Lear (1884-1934), and they eventually separated. As a boy Lear taught himself things like electrical engineering and experimented on his own with building radio receivers. Though he never received a high school diploma, his childhood fascination with radios led to work in the field. He lied about his age in order to join the U.S. Navy at age 16. After a brief stint in the Navy and some early business partnerships, he founded his first company, Lear Radio Laboratories. During the Great Depression of the 1920s, Lear’s engineering savvy and business acumen provided him with great success at a time when others struggled. He invented the first practical car radio and the first radio remote control, the “Lazy Boy.” It was during this time that he also bought his first airplane, inspiring him to turn his sights toward flight navigation. Lear invented the Lear-o-scope which allowed pilots to navigate via radio. The Lear-o-scope was used by Amelia Earhart to help her fly from Los Angeles to Mexico City and from there on record-setting flights to New York and Washington, D.C. Lear continued to design navigational devices under his company Lear Avia Inc. with orders from airline companies all over the world.
By 1945 his company had transformed into Lear, Incorporated. Among their products was the Learecorder, cited by the New York Times as “the most versatile home musical reproduction machine ever built.” While the market for his music record and navigation equipment was limited, electromechanical sales kept the company afloat. Lear turned to developing autopilot systems determined to make flying, especially military flight, safer. This led to the development of the F-5 autopilot, for which he won the 1950 Collier Trophy. In the early 1950s, Lear bought a Lockheed Lodestar and massively redesigned it, renaming it Learstar. Its maiden flight was on May 10, 1954 and it was the first reconditioned aircraft to receive Civil Aeronautics Association certification as an airline transport plane. The Learstar was also the fastest twin-engine transport with the longest range under production at the time.
Lear moved his family to Switzerland in 1959 to break into the European market and successfully sold his automatic flight control system for use in Fokker, Fiat, Saab and Caravelle aircraft. Due to disagreements over the design of what would become his iconic Learjet with the Lear Incorporated board, he was forced out of the company in 1960. He then founded yet another company, Swiss American Aviation Corporation, originally based in Switzerland, to continue to develop the Learjet as he envisioned it. Just two years later, Lear renamed the company Lear Jet Corporation and relocated to Wichita, Kansas to build the Learjet which he dreamed would be a lightweight, efficient, and luxurious small business aircraft. The first flight was on October 7, 1963.
Just after the Learjet Model 23 was FAA-certified and the company began trading publicly, Lear was inspired by a 4-track automobile dashboard-mounted tape player to improve on the technology, and began work on what would become the 8-track cassette player. His machine was smaller, simpler, and cheaper than the existing options. With new patents acquired, he marketed his radio-tape-player combination, striking a deal with RCA and Ford Motor Company. After selling Lear Jet Corp. to the Gates Rubber Company in April 1967, Lear moved to Reno, Nevada where he switched gears and turned to both land development and steam-powered cars, attempting to improve upon the combustion engine with a steam-powered design.
In his seventies by this point, he suffered from numerous physical ailments which brought on depression, affecting his business ventures. Despite flagging health and because of failures with his steam-motor endeavors, he turned back to aviation. In 1976, he struck a deal with Canadair to develop the LearStar 600, a small, long-distance business jet. Canadair bought the design and evetually renamed the aircraft the Challenger CL-600. Lear worked on the development of the Lear Allegro design, as an improvement on the LearStar 600, hoping to also enter a deal with Canadair. However, they had no interest in the Allegro and ultimately none were ever built. It was then Lear began work on the Lear Fan, a plane innovative because of its all-composite body, Y-shaped tail, and pusher-style propeller.
After three previous marriages and many affairs, Bill Lear had married Moya Olsen in 1942. Though she was not involved in his business at first, she “exerted a stabilizing influence on his volatile life.” In later companies, she held board and executive positions. With his health rapidly declining in the 1970s and the Lear Fan still in development, Lear set up a trust to ensure the continued development of the Lear Fan after his death. Lear eventually died from leukemia in Reno on May 14, 1978. Moya retained a role in the company, as Chairman of the Board, to ensure fulfillment of Bill’s vision. Despite the innovative design of the plane and further investments, the Lear Fan never received FAA certification or went into production.
Over the course of his life Lear received many awards. Among them were the 1950 Collier Trophy from the National Aeronautic Association; the Cresson Medal of the Franklin Institute of Philadelphia; the Frank M. Hawks Award for an outstanding contribution to aircraft navigation; the 1954 Horatio Alger Award; the Silver Medal of Paris in 1960; and the bronze Thulin Medal from the Swedish Aeronautical Society. While his varied career was full of ups and downs and not all of his ideas came to fruition, biographer Richard Rashke writes, “Lear’s contribution to general aviation…was significant. He and his engineers had pioneered generation after generation of instruments. But even more important, Lear almost single-handedly dragged the whole industry forward with him, challenging its concepts, expanding its horizons, forcing it to see his vision and to improve its products.”
Sources:
“Bill Lear.” Wikipedia. Wikimedia Foundation, June 30, 2022. Accessed August 2, 2022. http://en.wikipedia.org/wiki/Bill_Lear.
Rashke, Richard. Stormy Genius: The Life of Aviation's Maverick, Bill Lear. Boston: Houghton Mifflin, 1985.
“William P. Lear.” Encyclopædia Britannica. Accessed August 9, 2022. http://www.britannica.com/EBchecked/topic/333965/William-P-Lear.
Lear, Moya. An Unforgettable Flight. Reno: Jack Bacon and Company, 1996.
Biographical Note: Moya Olsen Lear
Moya Olsen Lear was a philanthropist, businesswoman, and the wife of aviation pioneer Bill Lear.
Moya Marie Olsen was born on March 27, 1915 in Chicago, Illinois to John Sigvard “Ole” Olsen (1892-1963), a famous vaudevillian, and Lillian Louise (Clem) Olsen (1890-1990). She attended Ohio State University for a single year and then studied shorthand and typing at Pace Institute in New York. In her own words, Moya worked as a “Girl Friday” (office assistant) for her father on his Broadway show, Hellzapoppin’. It was here, through her father's show, she met Bill Lear.
Moya and Bill's first meeting had been brief; Lear had come backstage at the 46th Street Theater one night, in September 1938, to offer his regards to Olsen for the evening's show and her father introduced the two. She wrote, "No angels sang. No bells chimed. No fireworks went off." It was just a quick greeting and they parted. However, on their second meeting on December 24th, 1938 Bill invited Moya out for a drink and their relationship took off.
Moya married Bill Lear in 1942, becoming his fourth wife. In spite of Bill's infidelities, she "loved Bill with an intense, unconditional love" and the couple had four children together (John, Shanda, David, and Tina) in addition to Lear’s children from previous marriages (Mary Louise, Bill, Jr., and Patti). Although Bill gave Moya a place as a board member for his various companies, she remained mostly only tangentially involved in his work during his lifetime, primarily acting as a welcoming, stable, and supportive presence to Lear and his partners, employees, and contacts. After Lear’s death, Moya was made Chairman of the Board of LearAvia Corporation, the parent company of Lear Fan, and attempted to take his final project, the Lear Fan, through completion and FAA certification, but was ultimately unsuccessful.
Moya was active in many philanthropic causes, particularly in the Reno, Nevada area where the Lears lived near the end of their lives, including serving on the boards of the Nevada Opera Association, the Nevada Festival Ballet and the Sierra Arts Foundation. She established the Bill and Moya Lear Foundation Scholarship Fund and used her Amelia Earhart Pioneering Achievement Award to fund scholarships for women majoring in aeronautical science at Embry-Riddle Aeronautical University, where she also established the Moya and Bill Lear Endowed Scholarship.
Moya received many honors, including her inductions into the halls of fame of such organizations as the Women in Aviation Pioneers, the United States Achievement Academy, Nevada Business Leaders and the Nevada Women’s Fund. She also received six honorary doctorate degrees: Doctor of Humane Letters from National University and University of Nevada, Reno; Doctor of Laws from Northrop University, Pepperdine University and Clemson University; and Doctor of Aviation Management from Embry-Riddle Aeronautical University. She was also the first winner of the Katharine Wright Memorial Award from the National Aeronautic Association in 1981.
Moya Olsen Lear died on December 5, 2001 in Washoe, Nevada.
Sources:
Lear, Moya. An Unforgettable Flight. Reno: Jack Bacon and Company, 1996.
"Memorializing Aviation Pioneer and Philanthropist Moya Lear." Nevada Legislature. March 26, 2003. Accessed November 18, 2020. https://www.leg.state.nv.us/Session/72nd2003/Journal/Senate/Final/sj052.html.
"Philanthropist widow of Learjet developer dies at 86." Napa Valley Register. December 7, 2001. Accessed November 18, 2020. hhttps://napavalleyregister.com/news/local/obituaries/philanthropist-widow-of-learjet-developer-dies-at-86/article_7ec9325e-a668-51c1-b877-82d1289d7aeb.html.
Rashke, Richard. Stormy Genius: The Life of Aviation's Maverick, Bill Lear. Boston: Houghton Mifflin, 1985.
Biographical Note: Ole Olsen
John Sigvard "Ole" Olsen (1892-1963) was an American vaudevillian and comedian, who was part of the Olsen and Johnson comedy team, and father to Moya Olsen Lear, wife of William P. Lear.
John Sigvard "Ole" Olsen was born on November 6, 1892 in Peru, Indiana. Olsen began his career as a musical performer and played the violin. He graduated from Northwestern University in 1912, and then performed in the Chicago area as a musician and singer. In 1914 he met Harold Ogden "Chic" Johnson and the two began a vaudeville act. Their most famous production was the stage musical Hellzapoppin. Along with vaudeville, the duo performed their routines via radio, the Broadway stage, motion pictures and television. They were active until the early 1950s at which point they were performing in Las Vegas, Nevada, when an illness caused Chic Johnson to retire. Olsen went on to perform solo for a short time though a 1950 car accident had left him with some injuries. Following that accident, he lived with his daughter Moya and her husband Bill Lear for some time.
Olsen was married twice. With his first wife, Lillian Clem, he had four children: John Charles, Robert, Joy, and Moya. Ole and Lillian later divorced and in 1961, he married Eileen Maria Osthoff, a choreographer and dancer.
On January 26, 1963, Ole Olsen died in Albuquerque, New Mexico at the age of 70 of a kidney ailment. He is interred in Palm Desert Memorial in Las Vegas, Nevada, in a grave adjoining that of his vaudeville partner, Chic Johnson.
Biography derived from collection materials and Wikipedia.com
Extent
3.1 Cubic Feet (4 5-inch legal-size document boxes, 1 2-inch letter-size document box, 1 5-inch letter-size document box, 1 oversize box (13x17x3"), 1 oversize folder (16x20"), 1 oversize folder (20x24"))
Language
English
Abstract
The William P. and Moya Olsen Lear Family Collection contains textual materials and photographs primarily related to the personal lives of William "Bill" and Moya Olsen Lear as well as John Sigvard "Ole" Olsen, Moya's father. A small amount of material pertains to extended Lear family members, including the Lear children and Lillian (Clem) Olsen, Moya's mother. The bulk and strength of the collection is personal correspondence that provides insight to Lear family and social life and events. Materials date from 1911-2013.
Arrangement
The collection has been divided into three series: Aircraft-Related, Correspondence and Ephemera, and Photographs. The series are further divided into subseries, with the exception of Photographs which has not been further divided. Materials within each series are arranged chronologically.
Custodial History
The collections were donated by Bruce McCaw who had purchased them from Jack Bacon. Bacon had obtained the collections from auction.
Accruals
No further accruals are expected.
Separated Materials
The following items were separated from the archival component and are kept in Objects storage:
- Lear Fan 2100 commemorative coin
- Silver cocktail ring setting (missing gemstones) in original presentation box, given to Billie Dove by Howard Hughes
The following items were separated from the archival component and are kept in the Library:
- Aviation for Women, March/April 2001
- Aviation Week, April 10, 2000
- Business and Commercial Aviation, July 1990
- Business and Commercial Aviation Show News, December 12, 2001
- Jetlines newsletter, multiple issues 1993-1995
- Learjet Update, August 1986
In addition, a Bombardier press kit and Galaxy Aerospace press kit were removed from the archival component and are kept in Trade Literature.
Processing Information
As part of the archival processing, two Lear-related collections (2021-10-29 and 2021-11-02) were merged into one under the 2021-10-29 accession number. Both collections were purchased and donated by Bruce McCaw who had obtained them from Jack Bacon. Due to their similiar content of Lear family history within both accessions, the archivist processed them as one collection to provide more efficient access for researchers. After an initial survey, the archivist decided on subject groupings and imposed a physical arrangement on the materials. Original folder titles were used where clear and accurate or contextually important and are in quotation marks; all other folder titles were devised by the processing archivist. Photographs were sleeved. Some prints were removed from a photograph album for preservation reasons. They were sleeved and placed in an acid-free folder. Original order was maintained. Two rolled photographs were humidified, flattened, placed in mylar sleeves and housed in acid-free folders. Fragile items, such as clippings and some correspondence, were interleaved or sleeved.
Subject
- Goldwater, Barry M. (Barry Morris), 1909-1998 (Person)
- Gates Learjet Corporation (1969-1987) (Organization)
- Hughes, Howard, 1905-1976 (Person)
- Lear, David, 1948- (Person)
- Lear, John, 1942-2022 (Person)
- Lear, Moya Olsen, 1915-2001 (Person)
- Lear, Shanda, 1944- (Person)
- Lear, William P. (William Powell), 1902-1978 (Person)
- LearAvia Corporation (Organization)
- Lear Jet Corporation (Organization)
- Lockheed (Organization)
- Michael, King of Romania, I, 1921-2017 (Person)
- Nixon, Richard M. (Richard Milhous), 1913-1994 (Person)
- Olsen, Lillian Clem (1890-1990) (Person)
- Olsen, Ole, 1892-1963 (Person)
- Olsen & Johnson (Organization)
- Turner, Roscoe, 1895-1970 (Person)
Genre / Form
- booklets
- brochures
- certificates
- clippings (information artifacts)
- contracts
- correspondence
- greeting cards
- negatives (photographs)
- notes (documents)
- photocopies
- photograph albums
- photographic postcards
- photographic prints
- printed ephemera
- programs (documents)
- slides (photographs)
- technical reports
- telegrams
- videocassettes
Geographic
Topical
Uniform Title
- Title
- Guide to the William P. and Moya Olsen Lear Family Collection
- Status
- Completed Level 3
- Author
- Jenn Parent
- Date
- 2025 April
- Description rules
- Describing Archives: A Content Standard
- Language of description
- English
- Script of description
- Latin
- Edition statement
- 1st edition
Repository Details
Part of the The Museum of Flight Archives Repository
9404 East Marginal Way South
Seattle Washington 98108-4097
206-764-5874
curator@museumofflight.org